| Message | I finally rented The Fountain and now I wish I had gone to see it on the big screen. And I wish I had seen it before I reviewed Apocalypto and I will certainly reference it in future discussions of films representing the Maya. The Fountain is not only a beautiful work, but it is also, in part, a respectful and brilliant exegesis of ancient Maya theology. I would like to think that this dimension of the film is partly inspired by my book with Linda Schele, Maya Cosmos (1993). Certainly the term "First Father" and the image of the tree in the Milky Way star field (which we identify as Xibalba, the place of awe) are from that book and related work by us. The centrality of First Father (Ixim, maize), and his sacrifice and resurrection, which we proposed has been substantiated by continued research in Maya texts, images, and archaeology. In 2006, my student Michelle Rich discovered a 600 AD royal tomb at El Peru-Waka' in Guatemala containing, among other things, a small ceramic figurine of the dead king adorned as the maize god. The king was kneeling, arms crossed in prayer, while a magical deer prayed over him. These figures were part of a complex tableau of figurines. Our interpretation of the tableau is that a singing shaman and his companions are curing the king of death and enabling his resurrection as the maize god. |